WizardOfWaffles
Well-known member
Photographer and activist Kwame Brathwaite's legacy lives on through his work that challenged the status quo of beauty standards. Born in 1938 to Barbadian immigrants in New York, Brathwaite was drawn to photography at a young age after witnessing David Jackson's haunting image of Emmett Till in an open casket and seeing a photographer taking pictures without flash at a jazz club.
Using a Hasselblad camera, Brathwaite honed his craft in a small darkroom in Harlem, experimenting with techniques that enhanced the visual narrative of his images. He worked with limited light to capture the essence of his subjects, often focusing on the emotional and psychological depth of his portraits.
Brathwaite's work was instrumental in shaping the "Black is Beautiful" movement, which sought to redefine traditional beauty standards that were heavily influenced by European culture. The Grandassa Models, young Black women he photographed, became symbols of this movement, embracing their natural features and challenging the dominant narratives.
By the 1970s, Brathwaite had shifted his focus from jazz to other forms of popular Black music, photographing iconic figures like Nina Simone, Stevie Wonder, and Bob Marley. His work continued to be influential, with commissions in the 2010s, including a recent shoot for The New Yorker.
Brathwaite's health began to decline, but his legacy endures through exhibitions such as "Kwame Brathwaite: Things Well Worth Waiting For" currently on view at the Art Institute of Chicago.
Using a Hasselblad camera, Brathwaite honed his craft in a small darkroom in Harlem, experimenting with techniques that enhanced the visual narrative of his images. He worked with limited light to capture the essence of his subjects, often focusing on the emotional and psychological depth of his portraits.
Brathwaite's work was instrumental in shaping the "Black is Beautiful" movement, which sought to redefine traditional beauty standards that were heavily influenced by European culture. The Grandassa Models, young Black women he photographed, became symbols of this movement, embracing their natural features and challenging the dominant narratives.
By the 1970s, Brathwaite had shifted his focus from jazz to other forms of popular Black music, photographing iconic figures like Nina Simone, Stevie Wonder, and Bob Marley. His work continued to be influential, with commissions in the 2010s, including a recent shoot for The New Yorker.
Brathwaite's health began to decline, but his legacy endures through exhibitions such as "Kwame Brathwaite: Things Well Worth Waiting For" currently on view at the Art Institute of Chicago.