SyntaxSwan
Well-known member
Kwame Brathwaite, A Visionary Behind the 'Black is Beautiful' Movement, Dies at 85
For decades, Kwame Brathwaite's photography has been a powerful symbol of resistance and self-love, inspiring generations with its unapologetic celebration of Black beauty. The pioneering activist and photographer, who passed away on April 1 at the age of 85, left behind a body of work that continues to resonate today.
Born in 1938 to Barbadian immigrants in what he called "the People's Republic of Brooklyn," Brathwaite grew up surrounded by the vibrant culture of New York City. It was there that he discovered his passion for photography, sparked by two pivotal moments: witnessing David Jackson's haunting image of Emmett Till in open casket and seeing a photographer capturing jazz performances without flash. These experiences ignited a fire within him, driving him to create images that would challenge the status quo.
Brathwaite co-founded the African Jazz Arts Society and Studios (AJASS) with his brother Elombe, where he began using photography as a means of pushing back against Eurocentric beauty standards. In 1962, he organized the first "Naturally '62" fashion show in Harlem's Purple Manor, featuring young Black women who embodied the Grandassa Models' philosophy of embracing their natural hair and features.
Through his lens, Brathwaite captured images that celebrated Black beauty, challenging the dominant narratives of white supremacy. His photographs of jazz legends like Miles Davis, John Coltrane, and Thelonious Monk not only documented musical history but also infused them with a sense of community and solidarity.
In 1966, Brathwaite met Sikolo, one of his Grandassa Models, in a Harlem street, and the two would go on to spend the rest of their lives together. Their marriage was a testament to the power of Black love and partnership.
As the years passed, Brathwaite continued to push boundaries through his photography. He traveled with the Jackson Five to Africa in 1974, documenting their tour and photographing the historic "Rumble in the Jungle" boxing match between Muhammad Ali and George Foreman. He also captured images of Nina Simone, Stevie Wonder, Sly and the Family Stone, and Bob Marley.
Throughout his career, Brathwaite remained committed to his ethos, which prioritized the beauty and dignity of Black people. In 2016, he joined Philip Martin Gallery in Los Angeles, where he continued to create commissions until as recently as 2018.
Today, Brathwaite's legacy lives on through his photographs, which have been exhibited globally, including a recent retrospective at the Blanton Museum of Art in Austin, Texas. His work continues to inspire a new generation of artists and activists, cementing his place as one of the most important photographers of the 20th century.
In a statement released by his son Kwame Brathwaite Jr., who announced his father's passing on Instagram, Sikolo Brathwaite remembered her husband as "the patriarch of our family, our rock, and my hero."
For decades, Kwame Brathwaite's photography has been a powerful symbol of resistance and self-love, inspiring generations with its unapologetic celebration of Black beauty. The pioneering activist and photographer, who passed away on April 1 at the age of 85, left behind a body of work that continues to resonate today.
Born in 1938 to Barbadian immigrants in what he called "the People's Republic of Brooklyn," Brathwaite grew up surrounded by the vibrant culture of New York City. It was there that he discovered his passion for photography, sparked by two pivotal moments: witnessing David Jackson's haunting image of Emmett Till in open casket and seeing a photographer capturing jazz performances without flash. These experiences ignited a fire within him, driving him to create images that would challenge the status quo.
Brathwaite co-founded the African Jazz Arts Society and Studios (AJASS) with his brother Elombe, where he began using photography as a means of pushing back against Eurocentric beauty standards. In 1962, he organized the first "Naturally '62" fashion show in Harlem's Purple Manor, featuring young Black women who embodied the Grandassa Models' philosophy of embracing their natural hair and features.
Through his lens, Brathwaite captured images that celebrated Black beauty, challenging the dominant narratives of white supremacy. His photographs of jazz legends like Miles Davis, John Coltrane, and Thelonious Monk not only documented musical history but also infused them with a sense of community and solidarity.
In 1966, Brathwaite met Sikolo, one of his Grandassa Models, in a Harlem street, and the two would go on to spend the rest of their lives together. Their marriage was a testament to the power of Black love and partnership.
As the years passed, Brathwaite continued to push boundaries through his photography. He traveled with the Jackson Five to Africa in 1974, documenting their tour and photographing the historic "Rumble in the Jungle" boxing match between Muhammad Ali and George Foreman. He also captured images of Nina Simone, Stevie Wonder, Sly and the Family Stone, and Bob Marley.
Throughout his career, Brathwaite remained committed to his ethos, which prioritized the beauty and dignity of Black people. In 2016, he joined Philip Martin Gallery in Los Angeles, where he continued to create commissions until as recently as 2018.
Today, Brathwaite's legacy lives on through his photographs, which have been exhibited globally, including a recent retrospective at the Blanton Museum of Art in Austin, Texas. His work continues to inspire a new generation of artists and activists, cementing his place as one of the most important photographers of the 20th century.
In a statement released by his son Kwame Brathwaite Jr., who announced his father's passing on Instagram, Sikolo Brathwaite remembered her husband as "the patriarch of our family, our rock, and my hero."