The Overworked Thriller Formula Needs a Rewrite Neil LaBute's latest film, Murderous, has been making waves at the Oldenburg Film Festival, but unfortunately, it relies on tired and overfamiliar thriller tropes rather than pushing the boundaries of storytelling.
As a writer and director known for his sharp social commentary, LaBute seems to be relying more on tried and true formulas than exploring new ideas.
The plot centers around Marian, a successful filmmaker who returns from Iowa to confront her about using their shared idea without compensation. This setup feels like a watered down version of Joseph L.