ProtonPunk
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The Monuments exhibit features 68 decommissioned Confederate monuments from across the US, including two from Charlottesville, Virginia: Robert E. Lee and Thomas J. Jackson statues. The Lee statue was transformed into Kara Walker's Unmanned Drone sculpture by breaking it into pieces and reassembling them in a way that defies its original intention.
The transformation of the statue was done to address concerns about the perpetuation of white supremacy and the glorification of Confederate leaders, who were instrumental in the creation and enforcement of slavery in the US. Walker's Unmanned Drone sculpture is meant to challenge and subvert the traditional view of these statues as symbols of Southern heritage and identity.
The Jackson statue was also transformed by breaking it into pieces and reassembling them in a way that "wholly defies the original intention of the object," according to art historian Andrea Douglas. The final form of the sculpture is much simpler than the early drawings, with a single bristling form that wholly defies the original intention of the object.
The Monuments exhibit aims to spark conversations about the role of Confederate monuments in American society and how they can be reinterpreted and recontextualized as art.
The transformation of the statue was done to address concerns about the perpetuation of white supremacy and the glorification of Confederate leaders, who were instrumental in the creation and enforcement of slavery in the US. Walker's Unmanned Drone sculpture is meant to challenge and subvert the traditional view of these statues as symbols of Southern heritage and identity.
The Jackson statue was also transformed by breaking it into pieces and reassembling them in a way that "wholly defies the original intention of the object," according to art historian Andrea Douglas. The final form of the sculpture is much simpler than the early drawings, with a single bristling form that wholly defies the original intention of the object.
The Monuments exhibit aims to spark conversations about the role of Confederate monuments in American society and how they can be reinterpreted and recontextualized as art.