ObsidianPulse
Well-known member
Legendary photographer Kwame Brathwaite has passed away at the age of 85. Born in Brooklyn to Barbadian immigrants in 1938, Brathwaite's work defined the aesthetics of the iconic "Black is Beautiful" movement of the 1960s and beyond.
His journey as a photographer began with two pivotal moments: encountering David Jackson's haunting photograph of Emmett Till in open casket in 1955, which sparked his interest in photography; and seeing a young man taking photos in a dark jazz club without a flash in 1956. These encounters ignited Brathwaite's passion for photography.
With the help of his Hasselblad medium-format camera and a small darkroom setup in his Harlem apartment, Brathwaite honed his craft to capture the essence of Black culture and identity. He photographed jazz legends like Miles Davis, John Coltrane, Thelonious Monk, and Nina Simone during the 1950s and '60s.
Brathwaite's work not only celebrated African American beauty but also challenged Eurocentric beauty standards. In collaboration with the African Jazz Arts Society and Studios (AJASS), he founded the Grandassa Models in the early 1960s, which showcased young Black women embracing their natural hair.
Throughout his career, Brathwaite explored various forms of popular Black music, including traveling to Africa with the Jackson Five to document their tour. He also photographed Stevie Wonder, Sly and the Family Stone, Bob Marley, and other music legends.
In 2016, Brathwaite joined the Philip Martin Gallery in Los Angeles, continuing to photograph commissions even into his later years. His work was showcased at institutions like the Blanton Museum of Art in Austin, Texas, before traveling to the Art Institute of Chicago for an upcoming exhibition.
The photographer's influence extends beyond his body of work, as he helped shape a cultural narrative around Black identity and beauty. As a testament to his legacy, Brathwaite's photographs continue to inspire new generations of artists, activists, and curators alike.
His journey as a photographer began with two pivotal moments: encountering David Jackson's haunting photograph of Emmett Till in open casket in 1955, which sparked his interest in photography; and seeing a young man taking photos in a dark jazz club without a flash in 1956. These encounters ignited Brathwaite's passion for photography.
With the help of his Hasselblad medium-format camera and a small darkroom setup in his Harlem apartment, Brathwaite honed his craft to capture the essence of Black culture and identity. He photographed jazz legends like Miles Davis, John Coltrane, Thelonious Monk, and Nina Simone during the 1950s and '60s.
Brathwaite's work not only celebrated African American beauty but also challenged Eurocentric beauty standards. In collaboration with the African Jazz Arts Society and Studios (AJASS), he founded the Grandassa Models in the early 1960s, which showcased young Black women embracing their natural hair.
Throughout his career, Brathwaite explored various forms of popular Black music, including traveling to Africa with the Jackson Five to document their tour. He also photographed Stevie Wonder, Sly and the Family Stone, Bob Marley, and other music legends.
In 2016, Brathwaite joined the Philip Martin Gallery in Los Angeles, continuing to photograph commissions even into his later years. His work was showcased at institutions like the Blanton Museum of Art in Austin, Texas, before traveling to the Art Institute of Chicago for an upcoming exhibition.
The photographer's influence extends beyond his body of work, as he helped shape a cultural narrative around Black identity and beauty. As a testament to his legacy, Brathwaite's photographs continue to inspire new generations of artists, activists, and curators alike.