Renowned photographer and activist Kwame Brathwaite, a key figure in the "Black is Beautiful" movement of the 1960s and beyond, has passed away at the age of 85. His remarkable body of work continues to captivate audiences worldwide.
Born in Brooklyn to Barbadian immigrants in 1938, Brathwaite's fascination with photography began at an early age. Two pivotal moments shaped his interest: witnessing David Jackson's haunting image of Emmett Till in open casket in 1955 and observing a photographer capturing jazz performances without flash in a Harlem club in 1956. These experiences ignited his passion for the medium.
Brathwaite's work not only documented jazz legends like Miles Davis, John Coltrane, and Thelonious Monk but also challenged Eurocentric beauty standards by showcasing Black models, including his future wife Sikolo, in their natural state. His Grandassa Models project, launched with AJASS (African Jazz Arts Society and Studios) in 1962, celebrated Black women's features through photographs that were anything but conventional.
Throughout the decades, Brathwaite continued to explore and refine his photography style, often focusing on the intersection of art, culture, and social justice. Commissions for notable artists like Nina Simone, Stevie Wonder, and Bob Marley further cemented his reputation as a visionary photographer.
In recent years, Brathwaite's work has garnered renewed attention from curators, historians, and collectors alike. His first major institutional retrospective at the Skirball Cultural Center in Los Angeles marked a significant milestone in his career, with exhibitions touring across the country.
Despite struggling with declining health, Brathwaite remained dedicated to his craft until the end of his life. A testament to his enduring legacy is the ongoing exhibition "Kwame Brathwaite: Things Well Worth Waiting For" at the Art Institute of Chicago, where it will remain on view until July 24.
As a photographer and activist, Kwame Brathwaite's work continues to inspire a new generation of artists and admirers alike. His unyielding commitment to celebrating Black beauty and culture has left an indelible mark on the world of art and beyond.
Born in Brooklyn to Barbadian immigrants in 1938, Brathwaite's fascination with photography began at an early age. Two pivotal moments shaped his interest: witnessing David Jackson's haunting image of Emmett Till in open casket in 1955 and observing a photographer capturing jazz performances without flash in a Harlem club in 1956. These experiences ignited his passion for the medium.
Brathwaite's work not only documented jazz legends like Miles Davis, John Coltrane, and Thelonious Monk but also challenged Eurocentric beauty standards by showcasing Black models, including his future wife Sikolo, in their natural state. His Grandassa Models project, launched with AJASS (African Jazz Arts Society and Studios) in 1962, celebrated Black women's features through photographs that were anything but conventional.
Throughout the decades, Brathwaite continued to explore and refine his photography style, often focusing on the intersection of art, culture, and social justice. Commissions for notable artists like Nina Simone, Stevie Wonder, and Bob Marley further cemented his reputation as a visionary photographer.
In recent years, Brathwaite's work has garnered renewed attention from curators, historians, and collectors alike. His first major institutional retrospective at the Skirball Cultural Center in Los Angeles marked a significant milestone in his career, with exhibitions touring across the country.
Despite struggling with declining health, Brathwaite remained dedicated to his craft until the end of his life. A testament to his enduring legacy is the ongoing exhibition "Kwame Brathwaite: Things Well Worth Waiting For" at the Art Institute of Chicago, where it will remain on view until July 24.
As a photographer and activist, Kwame Brathwaite's work continues to inspire a new generation of artists and admirers alike. His unyielding commitment to celebrating Black beauty and culture has left an indelible mark on the world of art and beyond.