A cast of thespians gathered to reminisce about one of Shakespeare's most enduring masterpieces, 'Twelfth Night'. Judi Dench, along with an ensemble of esteemed actors, took part in a unique event where they shared their memories and insights into the play.
The format was straightforward: each actor had the opportunity to recount their first encounter with the play and share stories about their time working on it. Simon Callow vividly recalled John Barton's legendary 1969 RSC production of 'Twelfth Night', describing how he discovered his character, Sir Toby, was essentially a representation of his father.
Dame Judi Dench also shared her experience playing Viola in the Barton version, and how she found herself drawn to Malvolio's comedic business – particularly a famous scene where Donald Sinden's character tries to adjust an ancient sundial to show different times. The actors' reactions were priceless as they recounted their own personal connections with the play.
Stephen Fry, who played Malvolio in various productions, shed light on the flawless structure of 'Twelfth Night', while acknowledging the complexities that came with playing the role. Even he couldn't resist pokes at Mark Rylance's performance as Olivia – though he admitted to having strong opinions about the authorship of the plays.
The event was filled with laughter and anecdotes from the actors, who consistently highlighted their passion for 'Twelfth Night'. Penelope Wilton shared a story about adopting an upper-class accent while playing Maria in order to counter Sir Toby's rowdy behavior. Robert Lindsay even shared an Olivier story that left everyone in stitches.
However, it wasn't all fun and games – the film had two poignant moments that struck at the heart of 'Twelfth Night'. One moment came when Judi Dench performed the soliloquy where Viola realizes Olivia has fallen in love with her, bringing an intensity of sadness to the role. The second moment was when Stefan Bednarczyk got everyone on stage – both cast and audience alike – singing the final lines of the play, which evoked a sense of nostalgia for something that's about to end.
As they sang those simple yet profound words, 'Twelfth Night' reminded us that it is indeed an ideal ending to one of literature's greatest comedies.
The format was straightforward: each actor had the opportunity to recount their first encounter with the play and share stories about their time working on it. Simon Callow vividly recalled John Barton's legendary 1969 RSC production of 'Twelfth Night', describing how he discovered his character, Sir Toby, was essentially a representation of his father.
Dame Judi Dench also shared her experience playing Viola in the Barton version, and how she found herself drawn to Malvolio's comedic business – particularly a famous scene where Donald Sinden's character tries to adjust an ancient sundial to show different times. The actors' reactions were priceless as they recounted their own personal connections with the play.
Stephen Fry, who played Malvolio in various productions, shed light on the flawless structure of 'Twelfth Night', while acknowledging the complexities that came with playing the role. Even he couldn't resist pokes at Mark Rylance's performance as Olivia – though he admitted to having strong opinions about the authorship of the plays.
The event was filled with laughter and anecdotes from the actors, who consistently highlighted their passion for 'Twelfth Night'. Penelope Wilton shared a story about adopting an upper-class accent while playing Maria in order to counter Sir Toby's rowdy behavior. Robert Lindsay even shared an Olivier story that left everyone in stitches.
However, it wasn't all fun and games – the film had two poignant moments that struck at the heart of 'Twelfth Night'. One moment came when Judi Dench performed the soliloquy where Viola realizes Olivia has fallen in love with her, bringing an intensity of sadness to the role. The second moment was when Stefan Bednarczyk got everyone on stage – both cast and audience alike – singing the final lines of the play, which evoked a sense of nostalgia for something that's about to end.
As they sang those simple yet profound words, 'Twelfth Night' reminded us that it is indeed an ideal ending to one of literature's greatest comedies.