A New Moon's Lament: Miles Burrows' Scathing Satire on Ageing and Mortality
In his latest collection, Slow Puncture, poet Miles Burrows delivers a searing satire that confronts us with the cruel realities of ageing. His poem, "Missing You", is a heart-wrenching portrayal of a moon that's lost its luster – both as a celestial body and as an aging human being.
The poem begins innocently enough, with lines like "Did you know the moon was so old / It might have to go into a home?" But these gentle observations quickly give way to a chorus of mocking disdain. The speaker ridicules the moon's supposed frailties – its tendency to peer into people's bedrooms, store rice crispies in the fridge, and even sing off-key.
Yet beneath this barrage of sarcasm lies a more profound commentary on the human condition. As the poem progresses, the moon becomes an increasingly recognizable stand-in for the aging body, marked by forgetfulness, tremors, and a voice that's "like a nervous cough". The speaker's impatience with the moon's failings is matched only by their own disquiet at confronting the same frailties in themselves.
One of the most striking aspects of Burrows' satire is its willingness to push the boundaries of taste and decorum. In this poem, he takes on the conventions of Romantic poetry, which often celebrated the moon as a symbol of beauty and transcendence. Instead, he strips away these illusions, revealing a lunar figure that's "increasingly recognisable as an ageing human body".
The result is a poem that's both scathing and heartbreaking, its anger and disillusionment tempered by a deep understanding of the complexities of human experience. In the end, it's not just the moon that's being satirized – but also our own fragility, our tendency to cling to illusions of youthful vitality even as we stumble towards the abyss of mortality.
If "Missing You" plunges into fury and gloom at times, Slow Puncture offers a more hopeful counterpoint. Burrows' poetry is a testament to the power of satire to subvert and challenge our assumptions about ageing, identity, and the human condition.
In his latest collection, Slow Puncture, poet Miles Burrows delivers a searing satire that confronts us with the cruel realities of ageing. His poem, "Missing You", is a heart-wrenching portrayal of a moon that's lost its luster – both as a celestial body and as an aging human being.
The poem begins innocently enough, with lines like "Did you know the moon was so old / It might have to go into a home?" But these gentle observations quickly give way to a chorus of mocking disdain. The speaker ridicules the moon's supposed frailties – its tendency to peer into people's bedrooms, store rice crispies in the fridge, and even sing off-key.
Yet beneath this barrage of sarcasm lies a more profound commentary on the human condition. As the poem progresses, the moon becomes an increasingly recognizable stand-in for the aging body, marked by forgetfulness, tremors, and a voice that's "like a nervous cough". The speaker's impatience with the moon's failings is matched only by their own disquiet at confronting the same frailties in themselves.
One of the most striking aspects of Burrows' satire is its willingness to push the boundaries of taste and decorum. In this poem, he takes on the conventions of Romantic poetry, which often celebrated the moon as a symbol of beauty and transcendence. Instead, he strips away these illusions, revealing a lunar figure that's "increasingly recognisable as an ageing human body".
The result is a poem that's both scathing and heartbreaking, its anger and disillusionment tempered by a deep understanding of the complexities of human experience. In the end, it's not just the moon that's being satirized – but also our own fragility, our tendency to cling to illusions of youthful vitality even as we stumble towards the abyss of mortality.
If "Missing You" plunges into fury and gloom at times, Slow Puncture offers a more hopeful counterpoint. Burrows' poetry is a testament to the power of satire to subvert and challenge our assumptions about ageing, identity, and the human condition.