In the swirling tempest of New York City's subway system, Menna Elfyn finds a sanctuary - a "temple from tempest" where the stormy masses find refuge. The poem is more than just a description of a chaotic scene; it's an exploration of the human experience in the face of adversity. With words that dance like raindrops on bare skin, Elfyn crafts an immersive world of sounds and textures that transport us to the heart of the shelter-seekers' collective experience.
As the deluge subsides, and the heavens "smile", the firm ground forms beneath their feet, and the petrified hour becomes flesh. It's as if the very act of seeking shelter has transformed them, imbuing them with a sense of agency and movement. The image is both eerie and beautiful - the crowd, once mottled and forlorn, now hums its way home, bathed in the golden light of liberation.
In this poem, Elfyn draws upon a rich cultural heritage, referencing Emma Lazarus's iconic lines from "The New Colossus". Yet, it's her unique voice that imbues these allusions with fresh meaning. The use of language is both precise and evocative, conjuring the hiss of rain on skin and the sting of droplets on the eye. It's an almost imagist poem, recalling Ezra Pound's masterpiece "In a Station of the Metro".
One can't help but wonder what role the Welsh language has played in shaping Elfyn's poetic voice. As she herself explains, her bilingualism has allowed her to bridge two languages and cultures, giving rise to a sense of fluidity and adaptability that is both captivating and humbling.
Ultimately, "Storm in Brooklyn Subway" is not just a poem about a storm; it's an ode to the human spirit's capacity for resilience, creativity, and connection. In this masterful work, Menna Elfyn invites us to find our own sanctuary, amidst even the most turbulent of lives, where we can breathe free and hum with gratitude.
As the deluge subsides, and the heavens "smile", the firm ground forms beneath their feet, and the petrified hour becomes flesh. It's as if the very act of seeking shelter has transformed them, imbuing them with a sense of agency and movement. The image is both eerie and beautiful - the crowd, once mottled and forlorn, now hums its way home, bathed in the golden light of liberation.
In this poem, Elfyn draws upon a rich cultural heritage, referencing Emma Lazarus's iconic lines from "The New Colossus". Yet, it's her unique voice that imbues these allusions with fresh meaning. The use of language is both precise and evocative, conjuring the hiss of rain on skin and the sting of droplets on the eye. It's an almost imagist poem, recalling Ezra Pound's masterpiece "In a Station of the Metro".
One can't help but wonder what role the Welsh language has played in shaping Elfyn's poetic voice. As she herself explains, her bilingualism has allowed her to bridge two languages and cultures, giving rise to a sense of fluidity and adaptability that is both captivating and humbling.
Ultimately, "Storm in Brooklyn Subway" is not just a poem about a storm; it's an ode to the human spirit's capacity for resilience, creativity, and connection. In this masterful work, Menna Elfyn invites us to find our own sanctuary, amidst even the most turbulent of lives, where we can breathe free and hum with gratitude.