Polyamory, Regrets, Revenge: Shifting the Narrative on Infidelity
Lily Allen's latest album West End Girl delves into the complexities of infidelity and its aftermath, drawing parallels to her own tumultuous relationship with actor David Harbour. But as fans scrutinized every detail of their supposed polyamorous affair, it sparked a broader conversation about the nature of cheating and betrayal.
Allen's album serves as a catalyst for a long-standing story – one that has been told and retold in various forms of media. From Homer's Odyssey to contemporary novels like Emily Adrian's Seduction Theory and Sarah Manguso's Liars, infidelity remains a universal theme. Yet, each iteration offers a unique perspective on the human experience.
One notable example is Andrew Miller's Booker-shortlisted The Land in Winter, which captures the tone and texture of 1960s England. The novel explores an affair between country doctor Eric and a wealthy woman, Alison, as he grapples with feelings of guilt and pride. This nostalgic portrayal highlights how infidelity has been woven into our collective narrative.
In contrast, Miranda July's All Fours is a perimenopause-fueled exploration of desire and crisis. The narrator's midlife awakening sparks an illicit affair with Davey, but ultimately leads to a surprising twist: she sleeps with her friend of Davey's mother, who shares a dark history with the young man. This unconventional narrative shatters expectations and blurs boundaries.
While some novels – like Liars and The Möbius Book – take a more confrontational approach, tackling infidelity as a source of anger and resentment. Lauren Elkin's Scaffolding, however, adopts a more nuanced tone, exploring desire and relationships through the lens of psychoanalysis. By centering women and presenting their complexities, Elkin's novel offers a refreshingly honest portrayal of love, longing, and fear.
As millennials settle into marriage and polyamory emerges as an idealized solution to monogamy's problems, these novels provide a platform for self-discovery and reevaluation. They humanize the complexities of desire, age, and mortality, revealing that infidelity is not simply a "will they or won't they" scenario but a multifaceted exploration of emotions and relationships.
Ultimately, the enduring appeal of these novels lies in their ability to capture our collective longing for connection, understanding, and self-discovery. As one character remarks in Scaffolding, "The most interesting part of infidelity isn't will they or won't they – it's everything else around it."
Lily Allen's latest album West End Girl delves into the complexities of infidelity and its aftermath, drawing parallels to her own tumultuous relationship with actor David Harbour. But as fans scrutinized every detail of their supposed polyamorous affair, it sparked a broader conversation about the nature of cheating and betrayal.
Allen's album serves as a catalyst for a long-standing story – one that has been told and retold in various forms of media. From Homer's Odyssey to contemporary novels like Emily Adrian's Seduction Theory and Sarah Manguso's Liars, infidelity remains a universal theme. Yet, each iteration offers a unique perspective on the human experience.
One notable example is Andrew Miller's Booker-shortlisted The Land in Winter, which captures the tone and texture of 1960s England. The novel explores an affair between country doctor Eric and a wealthy woman, Alison, as he grapples with feelings of guilt and pride. This nostalgic portrayal highlights how infidelity has been woven into our collective narrative.
In contrast, Miranda July's All Fours is a perimenopause-fueled exploration of desire and crisis. The narrator's midlife awakening sparks an illicit affair with Davey, but ultimately leads to a surprising twist: she sleeps with her friend of Davey's mother, who shares a dark history with the young man. This unconventional narrative shatters expectations and blurs boundaries.
While some novels – like Liars and The Möbius Book – take a more confrontational approach, tackling infidelity as a source of anger and resentment. Lauren Elkin's Scaffolding, however, adopts a more nuanced tone, exploring desire and relationships through the lens of psychoanalysis. By centering women and presenting their complexities, Elkin's novel offers a refreshingly honest portrayal of love, longing, and fear.
As millennials settle into marriage and polyamory emerges as an idealized solution to monogamy's problems, these novels provide a platform for self-discovery and reevaluation. They humanize the complexities of desire, age, and mortality, revealing that infidelity is not simply a "will they or won't they" scenario but a multifaceted exploration of emotions and relationships.
Ultimately, the enduring appeal of these novels lies in their ability to capture our collective longing for connection, understanding, and self-discovery. As one character remarks in Scaffolding, "The most interesting part of infidelity isn't will they or won't they – it's everything else around it."