Fremantle's forgotten hotel, once a sailors' haven, has been transformed into an artistic haven by local creatives. The historic P&O hotel, built in 1870 and renovated during the gold rush era, had lain empty for decades, its potential overlooked by the public eye.
But this November, Fremantle's residents will have the chance to experience a different story as Room Service takes over the upper floor of the hotel. For three weeks, more than 40 musicians, poets, painters, and multimedia artists have occupied the space, transforming it into an immersive art installation that responds to its complex history.
Artist Danielle Caruana, known professionally as Mama Kin, co-curated the event with Tom Mùller. "I don't think people realise how much latent creative output becomes possible when property owners have the will and vision to back a simple idea," she says. The room has been transformed into an art studio where sound-led installations and performances are on display.
Artist Zali Morgan used recycled paper to create a painting that responds to Fremantle's colonial legacy, while Ellen Broadhurst used projection mapping to bring forth animated faces of the hotel's past patrons. Meanwhile, Guy Louden created a playable climate dystopia called Wet End – a game set in a future Fremantle ravaged by rising seas.
For Nic Brunsdon, architect behind the P&O revival plan, Room Service offers an opportunity for visitors to explore the building before it opens as a hotel. He has stripped the space back to its original form and incorporated natural materials like sandstone and bush aromas to create a meditative pause space that transports visitors to a pre-colonial landscape.
Mama Kin hopes more property owners will follow suit, inviting artists into empty spaces to fill the gaps in continuity. "It doesn't take much to say yes," she says, reflecting on what Room Service reveals – the potential for creative collaboration and the possibility of turning vacant spaces into vibrant cultural hubs.
The P&O hotel's journey serves as a testament to the power of creative vision and collaboration in transforming empty spaces into thriving artistic experiences.
But this November, Fremantle's residents will have the chance to experience a different story as Room Service takes over the upper floor of the hotel. For three weeks, more than 40 musicians, poets, painters, and multimedia artists have occupied the space, transforming it into an immersive art installation that responds to its complex history.
Artist Danielle Caruana, known professionally as Mama Kin, co-curated the event with Tom Mùller. "I don't think people realise how much latent creative output becomes possible when property owners have the will and vision to back a simple idea," she says. The room has been transformed into an art studio where sound-led installations and performances are on display.
Artist Zali Morgan used recycled paper to create a painting that responds to Fremantle's colonial legacy, while Ellen Broadhurst used projection mapping to bring forth animated faces of the hotel's past patrons. Meanwhile, Guy Louden created a playable climate dystopia called Wet End – a game set in a future Fremantle ravaged by rising seas.
For Nic Brunsdon, architect behind the P&O revival plan, Room Service offers an opportunity for visitors to explore the building before it opens as a hotel. He has stripped the space back to its original form and incorporated natural materials like sandstone and bush aromas to create a meditative pause space that transports visitors to a pre-colonial landscape.
Mama Kin hopes more property owners will follow suit, inviting artists into empty spaces to fill the gaps in continuity. "It doesn't take much to say yes," she says, reflecting on what Room Service reveals – the potential for creative collaboration and the possibility of turning vacant spaces into vibrant cultural hubs.
The P&O hotel's journey serves as a testament to the power of creative vision and collaboration in transforming empty spaces into thriving artistic experiences.