In a country where freedom is rapidly being stripped away, one Afghan woman's story serves as a poignant reminder of the resilience that lies within. Hawa Noori's journey, captured in Najiba Noori's thought-provoking film "Writing Hawa", takes viewers on a heart-wrenching ride through the private struggles and public turmoil of a nation under siege.
At just 13 years old, Hawa was forced into an unhappy marriage with a man three decades her senior. Now in her adulthood, she has finally found the courage to pursue her dreams – learning to read and write, starting her own textile business, and forging a new path forward for herself. But beneath her growing sense of empowerment lies the knowledge that the laws imposing themselves on Afghan women are about to become even more draconian.
With an unflinching lens, Najiba Noori's camera captures the intricate dance between Hawa's inner world and the external forces threatening her freedom. Her candid conversations with her own daughter, Zahra, reveal a complex tapestry of hopes and fears – from the stifling expectations placed on young women to the painful cycle of trauma that has been passed down through generations.
As the Taliban closes in, Noori finds herself at the forefront of the family's fight for survival. A tender sequence with her granddaughter shows the unlikely bond between two strong-willed women finding common ground over a shared love of learning. But when Zahra is forced to flee and later marry against her will, Hawa's story becomes one of unrelenting heartache.
What sets "Writing Hawa" apart from other films is its refusal to shy away from the brutal realities that Afghan women face in their daily lives. From devastating drone strikes to public executions, Noori lays bare the horrors of war without ever resorting to sensationalism or melodrama.
Throughout her journey, Hawa's story intersects with the external world in meaningful ways – from the far-flung towns she visits for business research to the crumbling infrastructure that threatens to tear families apart. It is a testament to Najiba Noori's filmmaking skill that even as she explores these darker themes, there remains an enduring sense of hope and determination.
Despite fleeing the country herself, Noori continues to bring Hawa's story back to Afghanistan – a tribute to the women who remain behind, their futures uncertain but their courage unbroken.
At just 13 years old, Hawa was forced into an unhappy marriage with a man three decades her senior. Now in her adulthood, she has finally found the courage to pursue her dreams – learning to read and write, starting her own textile business, and forging a new path forward for herself. But beneath her growing sense of empowerment lies the knowledge that the laws imposing themselves on Afghan women are about to become even more draconian.
With an unflinching lens, Najiba Noori's camera captures the intricate dance between Hawa's inner world and the external forces threatening her freedom. Her candid conversations with her own daughter, Zahra, reveal a complex tapestry of hopes and fears – from the stifling expectations placed on young women to the painful cycle of trauma that has been passed down through generations.
As the Taliban closes in, Noori finds herself at the forefront of the family's fight for survival. A tender sequence with her granddaughter shows the unlikely bond between two strong-willed women finding common ground over a shared love of learning. But when Zahra is forced to flee and later marry against her will, Hawa's story becomes one of unrelenting heartache.
What sets "Writing Hawa" apart from other films is its refusal to shy away from the brutal realities that Afghan women face in their daily lives. From devastating drone strikes to public executions, Noori lays bare the horrors of war without ever resorting to sensationalism or melodrama.
Throughout her journey, Hawa's story intersects with the external world in meaningful ways – from the far-flung towns she visits for business research to the crumbling infrastructure that threatens to tear families apart. It is a testament to Najiba Noori's filmmaking skill that even as she explores these darker themes, there remains an enduring sense of hope and determination.
Despite fleeing the country herself, Noori continues to bring Hawa's story back to Afghanistan – a tribute to the women who remain behind, their futures uncertain but their courage unbroken.