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Sabrina Carpenter's debut as host of Saturday Night Live (SNL) yielded a delightfully silly episode that mostly avoided tackling current politics. This marks a refreshing departure from the norm for the long-running sketch comedy series.
Carpenter, known for her hit songs like "Espresso" and "Skin," got off to a strong start with a stand-up routine that showcased her quick wit and playful banter. Her sketches often poked fun at the lyrics of her music, but also cleverly subverted expectations by making humorous comments on herself and her own sexiness.
One notable sketch featured Carpenter playing a motivational dancer who falls during a performance and starts speaking nonsense due to concussions. This moment was particularly charming, as it highlighted the show's ability to create unexpected, unplanned humor.
Another standout segment saw Bowen Yang teaming up with Alec Baldwin in a pre-taped Weekend Update piece where they discussed Trump's pardoning of George Santos. The sketch cleverly skewered Trump's tendency to make outlandish claims without backing them up.
Additionally, Carpenter joined Ben Marshall for a couple playing who were anxious about following through on plans and ended up making jokes that poked fun at common relationship anxieties.
This season marks the show's continued attempt to stay relevant by incorporating younger cast members into its sketches. This can be seen in the inclusion of new cast member Tommy Brennan, who brought his dry delivery and midwestern charm to Weekend Update.
In a bizarre sketch inspired by washers and dryers playing music, Dismukes' character bought one after being charmed by the singing machines. The absurdity of this joke served as another example of SNL's ability to lean into ridiculousness without apologizing for it.
The episode concluded with writer Martin Herlihy delivering a social experiment sketch inspired by Eddie Murphy's 1984 film, White Like Me. This timely commentary on racism and white privilege ended the show on a thought-provoking note.
Overall, Sabrina Carpenter's hosting debut was a resounding success in maintaining SNL's tradition of biting satire and winking humor that keeps its young audience engaged.
Carpenter, known for her hit songs like "Espresso" and "Skin," got off to a strong start with a stand-up routine that showcased her quick wit and playful banter. Her sketches often poked fun at the lyrics of her music, but also cleverly subverted expectations by making humorous comments on herself and her own sexiness.
One notable sketch featured Carpenter playing a motivational dancer who falls during a performance and starts speaking nonsense due to concussions. This moment was particularly charming, as it highlighted the show's ability to create unexpected, unplanned humor.
Another standout segment saw Bowen Yang teaming up with Alec Baldwin in a pre-taped Weekend Update piece where they discussed Trump's pardoning of George Santos. The sketch cleverly skewered Trump's tendency to make outlandish claims without backing them up.
Additionally, Carpenter joined Ben Marshall for a couple playing who were anxious about following through on plans and ended up making jokes that poked fun at common relationship anxieties.
This season marks the show's continued attempt to stay relevant by incorporating younger cast members into its sketches. This can be seen in the inclusion of new cast member Tommy Brennan, who brought his dry delivery and midwestern charm to Weekend Update.
In a bizarre sketch inspired by washers and dryers playing music, Dismukes' character bought one after being charmed by the singing machines. The absurdity of this joke served as another example of SNL's ability to lean into ridiculousness without apologizing for it.
The episode concluded with writer Martin Herlihy delivering a social experiment sketch inspired by Eddie Murphy's 1984 film, White Like Me. This timely commentary on racism and white privilege ended the show on a thought-provoking note.
Overall, Sabrina Carpenter's hosting debut was a resounding success in maintaining SNL's tradition of biting satire and winking humor that keeps its young audience engaged.