The article discusses how white women have been exploited and manipulated by the far-right in order to serve their own interests and maintain racial dominance. The author, Saida Grundy, argues that white women's bodies have been used as a tool for control and domination, particularly in the context of immigration and national identity.
Grundy cites the example of Renee Good, a 37-year-old woman who was killed by an ICE agent in Minnesota, as evidence of how white women are being targeted and marginalized. She notes that Good's character was "killed" because she failed to meet the script for what is considered a "good" white woman - someone who is scared and submissive to male authority.
The article also touches on the fact that white women consistently vote against policies that would provide pathways to citizenship for immigrants, despite their own path to full citizenship being granted in order to maintain racial dominance. Grundy argues that this voting pattern is not based on genuine concern for immigration policy, but rather on a desire to preserve white racial privilege.
Furthermore, the article notes that the far-right has used the trope of the "good" white woman to demonize and dehumanize immigrants and other marginalized groups. This trope is often used to justify violence and oppression against these groups, and to create a sense of moral equivalency between themselves and their victims.
Overall, the article argues that white women's bodies and agency have been co-opted by the far-right in order to serve their own interests and maintain racial dominance. It highlights the need for critical analysis of how white women are being used and manipulated by the far-right, and calls on readers to think critically about the ways in which racism and sexism intersect and reinforce each other.
The article also mentions the example of The Birth of a Nation, a 1915 film that was widely popular among white supremacists. The film portrayed African Americans as inferior and savage, and depicted lynching and other forms of violence against them. The film's message was that white women were being threatened by the presence of Black men and immigrants, and that they needed to be protected from these dangers.
The article notes that the idea of the "good" white woman has been used throughout history to justify violence and oppression against marginalized groups. It argues that this trope is rooted in a racist and sexist worldview that sees white women as inherently virtuous and deserving of protection, while Black and Brown women are seen as threats to this virtue.
Overall, the article presents a critical analysis of how white women have been exploited and manipulated by the far-right, and highlights the need for a more nuanced understanding of the ways in which racism and sexism intersect.
Grundy cites the example of Renee Good, a 37-year-old woman who was killed by an ICE agent in Minnesota, as evidence of how white women are being targeted and marginalized. She notes that Good's character was "killed" because she failed to meet the script for what is considered a "good" white woman - someone who is scared and submissive to male authority.
The article also touches on the fact that white women consistently vote against policies that would provide pathways to citizenship for immigrants, despite their own path to full citizenship being granted in order to maintain racial dominance. Grundy argues that this voting pattern is not based on genuine concern for immigration policy, but rather on a desire to preserve white racial privilege.
Furthermore, the article notes that the far-right has used the trope of the "good" white woman to demonize and dehumanize immigrants and other marginalized groups. This trope is often used to justify violence and oppression against these groups, and to create a sense of moral equivalency between themselves and their victims.
Overall, the article argues that white women's bodies and agency have been co-opted by the far-right in order to serve their own interests and maintain racial dominance. It highlights the need for critical analysis of how white women are being used and manipulated by the far-right, and calls on readers to think critically about the ways in which racism and sexism intersect and reinforce each other.
The article also mentions the example of The Birth of a Nation, a 1915 film that was widely popular among white supremacists. The film portrayed African Americans as inferior and savage, and depicted lynching and other forms of violence against them. The film's message was that white women were being threatened by the presence of Black men and immigrants, and that they needed to be protected from these dangers.
The article notes that the idea of the "good" white woman has been used throughout history to justify violence and oppression against marginalized groups. It argues that this trope is rooted in a racist and sexist worldview that sees white women as inherently virtuous and deserving of protection, while Black and Brown women are seen as threats to this virtue.
Overall, the article presents a critical analysis of how white women have been exploited and manipulated by the far-right, and highlights the need for a more nuanced understanding of the ways in which racism and sexism intersect.