For once, TV has delivered something truly eventful. The HBO comedy series I Love LA has catapulted into the spotlight, captivating audiences with its refreshingly cringe-free portrayal of wannabe Gen Z influencers. After a year of lackluster programming, this eight-episode show is already being hailed as the best of the year.
Creator and star Rachel Sennott's vision for the show - likening it to "Entourage for internet girls" - has proven astute, capturing the essence of a tiny world in east LA where young, ambitious individuals navigate the cutthroat landscape of social media fame. Gone are the days of millennial writers relying on tired tropes; Sennott's writing is authentic, drawing from her own experiences as a newcomer to LA.
I Love LA tells the story of Maia, an entertainment manager trying to mold her old pal Tallulah into a viral sensation, along with her quirky stylist Charlie and Alani, a nepo baby-turned-influencer. While its creators' youthful energy is undeniable, the show's sensibility sets it apart from other Gen Z comedies. Its humor feels more akin to Platonic, an Apple TV+ hit about middle age, than its younger counterparts.
The show has benefited from the TV landscape's current glut of subpar programming. I Love LA's confident writing and relatable characters have made recent hits like Hacks seem stagey by comparison. It assumes viewers will be familiar with references to Diddy and Kramer vs Kramer, never feeling the need to explain itself.
Ultimately, I Love LA occupies a world its creators inhabit, where cultural touchstones are implicit rather than expounded upon. If you don't grasp certain lines of dialogue, the show politely invites you to return to more conventional fare. With its refreshingly honest portrayal of social media and Gen Z culture, this show has cemented its place as one of the year's standout series.
Creator and star Rachel Sennott's vision for the show - likening it to "Entourage for internet girls" - has proven astute, capturing the essence of a tiny world in east LA where young, ambitious individuals navigate the cutthroat landscape of social media fame. Gone are the days of millennial writers relying on tired tropes; Sennott's writing is authentic, drawing from her own experiences as a newcomer to LA.
I Love LA tells the story of Maia, an entertainment manager trying to mold her old pal Tallulah into a viral sensation, along with her quirky stylist Charlie and Alani, a nepo baby-turned-influencer. While its creators' youthful energy is undeniable, the show's sensibility sets it apart from other Gen Z comedies. Its humor feels more akin to Platonic, an Apple TV+ hit about middle age, than its younger counterparts.
The show has benefited from the TV landscape's current glut of subpar programming. I Love LA's confident writing and relatable characters have made recent hits like Hacks seem stagey by comparison. It assumes viewers will be familiar with references to Diddy and Kramer vs Kramer, never feeling the need to explain itself.
Ultimately, I Love LA occupies a world its creators inhabit, where cultural touchstones are implicit rather than expounded upon. If you don't grasp certain lines of dialogue, the show politely invites you to return to more conventional fare. With its refreshingly honest portrayal of social media and Gen Z culture, this show has cemented its place as one of the year's standout series.