The Black Phone 2 Review: A Frustrating Descent into Franchise Fatigue
Blumhouse Productions, the horror stalwart behind hits like Get Out and A Quiet Place, is facing a daunting task with its latest endeavour, The Black Phone 2. This sequel to Scott Derrickson's 2021 remake of Joe Hill's short story attempts to revive a franchise on shaky ground, but ultimately succumbs to the weight of its own overcomplication.
The Grabber, the sadistic killer from the first film, is reimagined as a supernatural entity with abilities that allow him to cross between dreams and reality. Ethan Hawke returns as the villain, his performance this time marked by a stilted awkwardness that fails to deliver the menace that made him so compelling in the original.
Finn (Mason Thames) and his sister Gwen (Madeleine McGraw) are once again entangled in a desperate bid for survival, this time snowed-in at an alpine Christian camp. The stakes are raised as they encounter the Grabber, who proves to be a formidable foe, but one whose supernatural abilities are more trick than terror.
The Black Phone 2's greatest misstep is its decision to overstay its welcome. Clocking in at just under two hours, the film meanders through an excessive number of set pieces that fail to deliver on their promise of scares. The tone oscillates wildly between slapstick humor and genuine dread, leaving the viewer unsure of what to expect.
The script, penned by Derrickson and C Robert Cargill, is riddled with convenient plot devices and contrived scenes that feel like they were shoehorned in to further the narrative. The inclusion of a religious element feels particularly forced, as if Blumhouse is attempting to lean into the Christian masses who propelled The Conjuring franchise to success.
While Ethan Hawke still brings his unique presence to the role of the Grabber, it's a fleeting respite from the otherwise uninspired horror on display. The film's attempts at atmosphere are marred by an unconvincing use of 8mm texture, which feels more like a stylistic gimmick than a genuine attempt to create unease.
In conclusion, Black Phone 2 is a frustrating sequel that fails to live up to its predecessor's potential. With its overlong runtime and convoluted plot, it's clear that Blumhouse is struggling to find its footing in the horror genre. Unless you're a die-hard fan of the franchise, there's little reason to answer the call from The Black Phone 2.
Blumhouse Productions, the horror stalwart behind hits like Get Out and A Quiet Place, is facing a daunting task with its latest endeavour, The Black Phone 2. This sequel to Scott Derrickson's 2021 remake of Joe Hill's short story attempts to revive a franchise on shaky ground, but ultimately succumbs to the weight of its own overcomplication.
The Grabber, the sadistic killer from the first film, is reimagined as a supernatural entity with abilities that allow him to cross between dreams and reality. Ethan Hawke returns as the villain, his performance this time marked by a stilted awkwardness that fails to deliver the menace that made him so compelling in the original.
Finn (Mason Thames) and his sister Gwen (Madeleine McGraw) are once again entangled in a desperate bid for survival, this time snowed-in at an alpine Christian camp. The stakes are raised as they encounter the Grabber, who proves to be a formidable foe, but one whose supernatural abilities are more trick than terror.
The Black Phone 2's greatest misstep is its decision to overstay its welcome. Clocking in at just under two hours, the film meanders through an excessive number of set pieces that fail to deliver on their promise of scares. The tone oscillates wildly between slapstick humor and genuine dread, leaving the viewer unsure of what to expect.
The script, penned by Derrickson and C Robert Cargill, is riddled with convenient plot devices and contrived scenes that feel like they were shoehorned in to further the narrative. The inclusion of a religious element feels particularly forced, as if Blumhouse is attempting to lean into the Christian masses who propelled The Conjuring franchise to success.
While Ethan Hawke still brings his unique presence to the role of the Grabber, it's a fleeting respite from the otherwise uninspired horror on display. The film's attempts at atmosphere are marred by an unconvincing use of 8mm texture, which feels more like a stylistic gimmick than a genuine attempt to create unease.
In conclusion, Black Phone 2 is a frustrating sequel that fails to live up to its predecessor's potential. With its overlong runtime and convoluted plot, it's clear that Blumhouse is struggling to find its footing in the horror genre. Unless you're a die-hard fan of the franchise, there's little reason to answer the call from The Black Phone 2.