The article discusses the process of collecting Confederate monuments and their remaking as art pieces in a new context. The author highlights the significance of these monuments, which were erected to symbolize white political power during the Jim Crow era, but have taken on a different meaning since the Civil Rights Movement.
One of the examples is Kara Walker's "Unmanned Drone", which was originally a bronze statue of Confederate General Robert E. Lee. The article explains how the statue was acquired by an arts organization in Los Angeles, where it underwent significant changes to transform its original intention and symbolism. The statue now depicts a Black woman holding a small horse and rider by the tail, which is meant to subvert the original meaning of the Confederate icon.
The article also mentions that 68 requests were sent out to obtain decommissioned Confederate monuments across the US, and 24 responses were received. Some of these monuments have been melted down or removed from public spaces, while others are now being transformed into art pieces like Walker's "Unmanned Drone".
The author notes that these changes reflect a broader shift in how we understand and represent historical figures and symbols. The Confederate monuments, which were once seen as symbols of white power and heritage, have taken on new meanings and interpretations since the Civil Rights Movement.
Overall, the article highlights the importance of rethinking our relationship with historical artifacts and symbols, and finding new ways to engage with them that challenge and subvert their original meaning.
One of the examples is Kara Walker's "Unmanned Drone", which was originally a bronze statue of Confederate General Robert E. Lee. The article explains how the statue was acquired by an arts organization in Los Angeles, where it underwent significant changes to transform its original intention and symbolism. The statue now depicts a Black woman holding a small horse and rider by the tail, which is meant to subvert the original meaning of the Confederate icon.
The article also mentions that 68 requests were sent out to obtain decommissioned Confederate monuments across the US, and 24 responses were received. Some of these monuments have been melted down or removed from public spaces, while others are now being transformed into art pieces like Walker's "Unmanned Drone".
The author notes that these changes reflect a broader shift in how we understand and represent historical figures and symbols. The Confederate monuments, which were once seen as symbols of white power and heritage, have taken on new meanings and interpretations since the Civil Rights Movement.
Overall, the article highlights the importance of rethinking our relationship with historical artifacts and symbols, and finding new ways to engage with them that challenge and subvert their original meaning.