Renowned photographer and activist Kwame Brathwaite has passed away at the age of 85. Born in 1938 to Barbadian immigrants in what is now Brooklyn, New York, Brathwaite's life work was deeply intertwined with his commitment to celebrating Black identity.
Brathwaite began his career as a photographer at the tender age of 17, after being inspired by a haunting image of Emmett Till in an open casket. He then went on to study photography and founded the African Jazz Arts Society and Studios (AJASS) alongside his brother Elombe in 1956. This was the moment when Brathwaite's mind became filled with the endless possibilities that photography could offer.
Throughout the 1960s, Brathwaite used his camera to challenge Eurocentric beauty standards. He photographed the Grandassa Models – young Black women who were celebrated for their natural features – and organized a fashion show called "Naturally '62" in 1962. This event was a defining moment of the "Black is Beautiful" movement that Brathwaite played such a significant role in shaping.
Brathwaite's work also extended beyond photography, as he co-founded AJASS, an organization dedicated to promoting Black culture and artistry. He photographed numerous jazz legends of the 1950s and '60s, including Miles Davis, John Coltrane, Thelonious Monk, and Nina Simone.
One of Brathwaite's most significant projects was his collaboration with the Jackson Five in 1974, during which he documented their tour and captured iconic images of Muhammad Ali and George Foreman's historic "Rumble in the Jungle" boxing match. Commissions for Stevie Wonder, Sly and the Family Stone, Bob Marley, and other music legends also came under Brathwaite's lens.
Over several decades, Brathwaite continued to evolve as a photographer, exploring different forms of popular Black music and collaborating with prominent artists. In 2016, he joined Philip Martin Gallery in Los Angeles and was still actively photographing commissions up until 2018.
Despite struggling with failing health, Brathwaite's legacy continues to inspire, with exhibitions such as the Blanton Museum of Art's recent retrospective traveling to the Art Institute of Chicago.
Brathwaite began his career as a photographer at the tender age of 17, after being inspired by a haunting image of Emmett Till in an open casket. He then went on to study photography and founded the African Jazz Arts Society and Studios (AJASS) alongside his brother Elombe in 1956. This was the moment when Brathwaite's mind became filled with the endless possibilities that photography could offer.
Throughout the 1960s, Brathwaite used his camera to challenge Eurocentric beauty standards. He photographed the Grandassa Models – young Black women who were celebrated for their natural features – and organized a fashion show called "Naturally '62" in 1962. This event was a defining moment of the "Black is Beautiful" movement that Brathwaite played such a significant role in shaping.
Brathwaite's work also extended beyond photography, as he co-founded AJASS, an organization dedicated to promoting Black culture and artistry. He photographed numerous jazz legends of the 1950s and '60s, including Miles Davis, John Coltrane, Thelonious Monk, and Nina Simone.
One of Brathwaite's most significant projects was his collaboration with the Jackson Five in 1974, during which he documented their tour and captured iconic images of Muhammad Ali and George Foreman's historic "Rumble in the Jungle" boxing match. Commissions for Stevie Wonder, Sly and the Family Stone, Bob Marley, and other music legends also came under Brathwaite's lens.
Over several decades, Brathwaite continued to evolve as a photographer, exploring different forms of popular Black music and collaborating with prominent artists. In 2016, he joined Philip Martin Gallery in Los Angeles and was still actively photographing commissions up until 2018.
Despite struggling with failing health, Brathwaite's legacy continues to inspire, with exhibitions such as the Blanton Museum of Art's recent retrospective traveling to the Art Institute of Chicago.