Renowned Photographer and Activist Kwame Brathwaite Passes Away at 85
Kwame Brathwaite, a pioneering photographer and activist who played a pivotal role in defining the aesthetics of the "Black is Beautiful" movement of the 1960s and beyond, has passed away at the age of 85. His son announced his father's death on Instagram, saying he was "deeply saddened to share that my Baba...has transitioned."
Born in 1938 to Barbadian immigrants in Brooklyn, Brathwaite grew up in Harlem and later moved to the South Bronx. He attended the School of Industrial Art, where he developed an interest in photography. Two pivotal moments shaped his approach: witnessing David Jackson's haunting photograph of Emmett Till in open casket in 1955, and seeing a young photographer capturing images without flash at a jazz club in 1956.
Using a Hasselblad medium-format camera, Brathwaite honed his skills to work with limited light, which enhanced the visual narrative of his imagery. He also developed a darkroom technique that deepened how Black skin appeared in his photographs. Brathwaite's photographic subject matter shifted from jazz legends to other popular Black music genres, including the Jackson Five and Nina Simone.
Throughout his career, Brathwaite focused on promoting African American culture and challenging Eurocentric beauty standards. He co-founded the African Jazz Arts Society and Studios (AJASS) with his brother Elombe in 1956. The group came up with the concept of the Grandassa Models, young Black women whom Brathwaite would photograph to celebrate their features.
In 1962, Brathwaite married Sikolo, a Grandassa Model he met on the street, and they remained together until his death. By the 1970s, Brathwaite's focus shifted to other forms of popular Black music. He photographed Muhammad Ali in the historic "Rumble in the Jungle" boxing match and other music legends.
In recent years, Brathwaite continued to explore photography through commissions, including a shoot for The New Yorker in 2018. A retrospective exhibition of his work is currently on view at the Art Institute of Chicago until July 24.
Brathwaite's legacy as a photographer and activist will be remembered for promoting African American culture and challenging traditional beauty standards.
Kwame Brathwaite, a pioneering photographer and activist who played a pivotal role in defining the aesthetics of the "Black is Beautiful" movement of the 1960s and beyond, has passed away at the age of 85. His son announced his father's death on Instagram, saying he was "deeply saddened to share that my Baba...has transitioned."
Born in 1938 to Barbadian immigrants in Brooklyn, Brathwaite grew up in Harlem and later moved to the South Bronx. He attended the School of Industrial Art, where he developed an interest in photography. Two pivotal moments shaped his approach: witnessing David Jackson's haunting photograph of Emmett Till in open casket in 1955, and seeing a young photographer capturing images without flash at a jazz club in 1956.
Using a Hasselblad medium-format camera, Brathwaite honed his skills to work with limited light, which enhanced the visual narrative of his imagery. He also developed a darkroom technique that deepened how Black skin appeared in his photographs. Brathwaite's photographic subject matter shifted from jazz legends to other popular Black music genres, including the Jackson Five and Nina Simone.
Throughout his career, Brathwaite focused on promoting African American culture and challenging Eurocentric beauty standards. He co-founded the African Jazz Arts Society and Studios (AJASS) with his brother Elombe in 1956. The group came up with the concept of the Grandassa Models, young Black women whom Brathwaite would photograph to celebrate their features.
In 1962, Brathwaite married Sikolo, a Grandassa Model he met on the street, and they remained together until his death. By the 1970s, Brathwaite's focus shifted to other forms of popular Black music. He photographed Muhammad Ali in the historic "Rumble in the Jungle" boxing match and other music legends.
In recent years, Brathwaite continued to explore photography through commissions, including a shoot for The New Yorker in 2018. A retrospective exhibition of his work is currently on view at the Art Institute of Chicago until July 24.
Brathwaite's legacy as a photographer and activist will be remembered for promoting African American culture and challenging traditional beauty standards.