Legendary Photographer Kwame Brathwaite Dies at 85, Leaving Behind a Legacy of Beauty and Resistance
Kwame Brathwaite, the pioneering photographer behind the iconic "Black is Beautiful" movement, has passed away at the age of 85. His work, which spanned over five decades, continues to inspire and influence artists, curators, and collectors alike.
Born in 1938 to Barbadian immigrants in New York, Brathwaite's journey as a photographer began with two pivotal moments: encountering David Jackson's haunting photograph of Emmett Till's open casket in 1955, and witnessing a young man taking photos without flash at a jazz club in 1956. This exposure fueled his passion for photography and led him to develop his own unique style, which he honed in his small Harlem apartment darkroom.
Throughout the 1960s, Brathwaite's photography became synonymous with the "Black is Beautiful" movement, which sought to challenge Eurocentric beauty standards and promote African American self-love. His work featured models such as the Grandassa Girls, who celebrated their natural hair and features. In 1962, he organized the first "Naturally '62" fashion show in Harlem, an event that would go on to be held regularly until 1992.
Brathwaite's collaborations with jazz legends like Miles Davis, John Coltrane, Thelonious Monk, and Nina Simone further solidified his reputation as a photographer of African American culture. He also captured the historic "Rumble in the Jungle" boxing match between Muhammad Ali and George Foreman in 1974.
As Brathwaite's focus shifted to other forms of popular Black music, he continued to explore and develop his photographic style. In 2016, he joined the Philip Martin Gallery in Los Angeles, and his work remained relevant until 2018, when he shot a commission for The New Yorker.
A retrospective of Brathwaite's work is currently on view at the Art Institute of Chicago, where it will remain until July 24. The photographer's legacy extends beyond his stunning images; it represents a powerful testament to the enduring spirit of resistance and self-love that has defined African American culture for generations.
Brathwaite's passing leaves behind a void in the art world, but his work continues to inspire new generations of artists, curators, and collectors. His photographs serve as a reminder of the importance of celebrating diversity and challenging societal norms. As he once said, "You want to get the feeling, the mood that you're experiencing when they're playing."
Kwame Brathwaite, the pioneering photographer behind the iconic "Black is Beautiful" movement, has passed away at the age of 85. His work, which spanned over five decades, continues to inspire and influence artists, curators, and collectors alike.
Born in 1938 to Barbadian immigrants in New York, Brathwaite's journey as a photographer began with two pivotal moments: encountering David Jackson's haunting photograph of Emmett Till's open casket in 1955, and witnessing a young man taking photos without flash at a jazz club in 1956. This exposure fueled his passion for photography and led him to develop his own unique style, which he honed in his small Harlem apartment darkroom.
Throughout the 1960s, Brathwaite's photography became synonymous with the "Black is Beautiful" movement, which sought to challenge Eurocentric beauty standards and promote African American self-love. His work featured models such as the Grandassa Girls, who celebrated their natural hair and features. In 1962, he organized the first "Naturally '62" fashion show in Harlem, an event that would go on to be held regularly until 1992.
Brathwaite's collaborations with jazz legends like Miles Davis, John Coltrane, Thelonious Monk, and Nina Simone further solidified his reputation as a photographer of African American culture. He also captured the historic "Rumble in the Jungle" boxing match between Muhammad Ali and George Foreman in 1974.
As Brathwaite's focus shifted to other forms of popular Black music, he continued to explore and develop his photographic style. In 2016, he joined the Philip Martin Gallery in Los Angeles, and his work remained relevant until 2018, when he shot a commission for The New Yorker.
A retrospective of Brathwaite's work is currently on view at the Art Institute of Chicago, where it will remain until July 24. The photographer's legacy extends beyond his stunning images; it represents a powerful testament to the enduring spirit of resistance and self-love that has defined African American culture for generations.
Brathwaite's passing leaves behind a void in the art world, but his work continues to inspire new generations of artists, curators, and collectors. His photographs serve as a reminder of the importance of celebrating diversity and challenging societal norms. As he once said, "You want to get the feeling, the mood that you're experiencing when they're playing."