ManaMancer
Well-known member
In 'And Sons', Pablo Trapero's English-language debut, a star-studded cast attempts to elevate a convoluted plot, but ultimately finds itself shackled by its own complexity. The film is based on David Gilbert's 2013 novel and boasts an all-star lineup, including Bill Nighy and Imelda Staunton.
Nighy takes on the role of Andrew Dyer, a cantankerous literary lion who has fallen on hard times, while Staunton plays his estranged wife Isabel. The two are joined by their adult children, Jamie (George MacKay) and Richard (Johnny Flynn), who have grown increasingly resentful towards their father's treatment of their mother. As the story unfolds, it becomes clear that Dyer makes a shocking claim about one of his sons – a revelation that raises more questions than answers.
While Nighy delivers a strong performance as the cantankerous author, the film's pacing is plodding, and its reliance on an implausible twist-reveal plot device undermines the emotional impact of key scenes. The entire family is summoned to Dyer's Oxfordshire mansion, where tensions come to a head in a riveting showdown between Staunton and Nighy.
However, even this intense confrontation fails to shake off the feeling that something is amiss with the story. The film's attempts to flesh out its claims to the truth or its implications as fiction fall flat, leaving the audience feeling underwhelmed. A talented cast, including Noah Jupe, Anna Geislerová, and Arthur Conti, can't elevate this mess.
The film's themes of family dynamics, toxic masculinity, and the challenges faced by older generations feel familiar, but 'And Sons' doesn't bring anything new to the table. It's a shame, given the talent involved, as Nighy remains amusing in even his most gruff moments. Still, it's hard not to feel that with better writing and editing, this film could have been something truly special.
Nighy takes on the role of Andrew Dyer, a cantankerous literary lion who has fallen on hard times, while Staunton plays his estranged wife Isabel. The two are joined by their adult children, Jamie (George MacKay) and Richard (Johnny Flynn), who have grown increasingly resentful towards their father's treatment of their mother. As the story unfolds, it becomes clear that Dyer makes a shocking claim about one of his sons – a revelation that raises more questions than answers.
While Nighy delivers a strong performance as the cantankerous author, the film's pacing is plodding, and its reliance on an implausible twist-reveal plot device undermines the emotional impact of key scenes. The entire family is summoned to Dyer's Oxfordshire mansion, where tensions come to a head in a riveting showdown between Staunton and Nighy.
However, even this intense confrontation fails to shake off the feeling that something is amiss with the story. The film's attempts to flesh out its claims to the truth or its implications as fiction fall flat, leaving the audience feeling underwhelmed. A talented cast, including Noah Jupe, Anna Geislerová, and Arthur Conti, can't elevate this mess.
The film's themes of family dynamics, toxic masculinity, and the challenges faced by older generations feel familiar, but 'And Sons' doesn't bring anything new to the table. It's a shame, given the talent involved, as Nighy remains amusing in even his most gruff moments. Still, it's hard not to feel that with better writing and editing, this film could have been something truly special.