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Bill Nighy and Imelda Staunton's electric showdown in 'A Son' is more than enough to rescue a convoluted and meandering plot, but unfortunately, it isn't quite enough. The film, directed by Pablo Trapero and co-written with Sarah Polley, is an adaptation of David Gilbert's 2013 novel about Andrew Dyer, a cantankerous literary lion who has lost his muse. Nighy brings his signature wit and charm to the role of Dyer, while Staunton shines as his estranged wife Isabel.
The story centers around Dyer's extraordinary claim that one of his children may be Smerdyakov, the non-canonical brother from Dostoevsky's The Brothers Karamazov. This revelation sets off a chain reaction of tension and recrimination within the family, particularly between Andy (Noah Jupe) and Richard (Johnny Flynn), who are furious with Dyer for his treatment of their mother.
However, despite its intriguing premise, 'A Son' falters in its execution. The film's pacing is plodding, and the twist-reveal plot device feels implausible and strangely unengaging. Even if taken at face value, the claim about Andy's parentage undermines the emotional weight of the story and its confrontational scenes.
Nighy's performance, however, remains a highlight throughout. His character's cantankerousness is both lovable and infuriating, making him a compelling presence on screen. Staunton also delivers a strong performance as Dyer's wife, who struggles to cope with her husband's antics.
The supporting cast, including George MacKay and Arthur Conti, do well in their roles, but they are often upstaged by the two leads. Flynn's character Richard is particularly noteworthy, delivering a fiery performance that adds depth to an otherwise shallow plot.
Ultimately, 'A Son' feels like a film that doesn't quite come together. Despite its talented cast and some amusing moments, it fails to deliver on its promise of drama and tension. But when Nighy and Staunton are on screen together, the sparks fly, making their riveting showdown a must-see – even if it's not enough to save the film from itself.
The story centers around Dyer's extraordinary claim that one of his children may be Smerdyakov, the non-canonical brother from Dostoevsky's The Brothers Karamazov. This revelation sets off a chain reaction of tension and recrimination within the family, particularly between Andy (Noah Jupe) and Richard (Johnny Flynn), who are furious with Dyer for his treatment of their mother.
However, despite its intriguing premise, 'A Son' falters in its execution. The film's pacing is plodding, and the twist-reveal plot device feels implausible and strangely unengaging. Even if taken at face value, the claim about Andy's parentage undermines the emotional weight of the story and its confrontational scenes.
Nighy's performance, however, remains a highlight throughout. His character's cantankerousness is both lovable and infuriating, making him a compelling presence on screen. Staunton also delivers a strong performance as Dyer's wife, who struggles to cope with her husband's antics.
The supporting cast, including George MacKay and Arthur Conti, do well in their roles, but they are often upstaged by the two leads. Flynn's character Richard is particularly noteworthy, delivering a fiery performance that adds depth to an otherwise shallow plot.
Ultimately, 'A Son' feels like a film that doesn't quite come together. Despite its talented cast and some amusing moments, it fails to deliver on its promise of drama and tension. But when Nighy and Staunton are on screen together, the sparks fly, making their riveting showdown a must-see – even if it's not enough to save the film from itself.