Beverly Glenn-Copeland has lived with two major life changes in recent years: being diagnosed with late-stage dementia and rediscovering his cult following as an 81-year-old musician.
Two decades ago, the couple was advised to stay at home due to his condition and do crossword puzzles. "I know this is meant to be giving me more time," Glenn said, "but I just feel like we're not living a life." As he embarks on a new tour with his wife Elizabeth, he wants to enjoy his music and the company of people.
Despite struggling with memory loss due to dementia, Beverly seems remarkably spry. Swaddled in fleece and scarf, his hair is snowy white, and his laughter can be explosive at times. His wife describes him as "more himself than ever."
Beverly's journey began 20 years ago when Elizabeth met him in a Toronto restaurant in 1976. She was then 19 and he was still identifying as a woman. The singer-songwriter had always made music without hope of recognition, with his album Keyboard Fantasies selling only a few dozen copies on cassette.
However, all changed in 2015 when a Japanese collector discovered him and asked about his old album. This led to a chain of events that included reissues, new recordings, international live shows, and collaborations with prominent artists like Sam Smith and the xx's Romy.
Beverly's music often resonates deeply with young people who are struggling with identity and belonging. "If you feel you can be who you really are, be who you really are," he says. He has also been an advocate for trans rights, having lobbied the Canadian government to allow trans people to change their gender on passports.
Despite facing financial struggles and living on the edge, Beverly remains optimistic and generous in his music and performances. "We don't want to be old people in that way that our culture tells us old people should be," says Elizabeth, gazing around the garden. "Yes, we're coming into the decay phase of life but when you watch the leaves turn from green to orange, often the decay phase can be the most beautiful."
Beverly smiles at his wife's words, saying "Mmm, that's an interesting way to put it, honey. That's true." He laughs, imitating a rocking chair's squeak with a grin. "But this ain't it," he says.
For Beverly Glenn-Copeland, music is not just about living in the moment but also about being of service to others and spreading hope.
Two decades ago, the couple was advised to stay at home due to his condition and do crossword puzzles. "I know this is meant to be giving me more time," Glenn said, "but I just feel like we're not living a life." As he embarks on a new tour with his wife Elizabeth, he wants to enjoy his music and the company of people.
Despite struggling with memory loss due to dementia, Beverly seems remarkably spry. Swaddled in fleece and scarf, his hair is snowy white, and his laughter can be explosive at times. His wife describes him as "more himself than ever."
Beverly's journey began 20 years ago when Elizabeth met him in a Toronto restaurant in 1976. She was then 19 and he was still identifying as a woman. The singer-songwriter had always made music without hope of recognition, with his album Keyboard Fantasies selling only a few dozen copies on cassette.
However, all changed in 2015 when a Japanese collector discovered him and asked about his old album. This led to a chain of events that included reissues, new recordings, international live shows, and collaborations with prominent artists like Sam Smith and the xx's Romy.
Beverly's music often resonates deeply with young people who are struggling with identity and belonging. "If you feel you can be who you really are, be who you really are," he says. He has also been an advocate for trans rights, having lobbied the Canadian government to allow trans people to change their gender on passports.
Despite facing financial struggles and living on the edge, Beverly remains optimistic and generous in his music and performances. "We don't want to be old people in that way that our culture tells us old people should be," says Elizabeth, gazing around the garden. "Yes, we're coming into the decay phase of life but when you watch the leaves turn from green to orange, often the decay phase can be the most beautiful."
Beverly smiles at his wife's words, saying "Mmm, that's an interesting way to put it, honey. That's true." He laughs, imitating a rocking chair's squeak with a grin. "But this ain't it," he says.
For Beverly Glenn-Copeland, music is not just about living in the moment but also about being of service to others and spreading hope.